Prosody and Metre 2002 3 260 pp. P 68,35 13 Brannon, J.


S.: Who Reads «Ulysses»? The Common Reader and the Rhetoric of the Joyce Wars 2002 3 192 pp. P 68,35 14 Brantlinger, P., ed.: A Companion to the Victorian Novel 2002 3 528 pp.


P 129,05 15 Buning, M. / M. Engelberts / S.


Houppermans, eds.: Pastiches, Parodies & Other Imitations / Pastiches, parodies & autres imitations 2003 3 325 pp. P 36,40 INDICE: 1. Parody and Pastiche: S.


E. Gontarski: Style and the man: Samuel Beckett and the art of pastiche 4 V. Le Gall: «Carcasse et deraison»: La nature morte 4 M.


D 9Arcy: The task of the listener: Beckett, Proust, and perpetual translation 4 C. Ackerley: Lassata sed: Samuel Beckett 9s portraits of his fair to middling women 4 F. Godeau: Molloy aux mille tours 4 J.


Campbell: Moran as secret agent 4 S. Barfield / P. Tew: Philosophy, psychoanalysis and parody: exceedingly Beckett 4 M.


Touret: Les fleurs et les orties: la parodie des formes communes 4 P. Shields: Sons of disorder: Thomas Carlyle, Samuel Beckett and the travesty of great men 4 S. Wilson: Krapp 9s last tape and the mania of manichaeism 4 S.


Ratcliffe: Savage loving: Beckett, Browning and The tempest 4 S. Mooney: «An atropos all in black» or ill seen worse translated: Beckett, self-translation and the discourse of death 4 V. Védrenne: D 9une scène a l 9autre: May B.


de Maguy Marin. Une chroréegraphie de l 9univers scénique de Samuel Beckett 4 2. Free Space: Y.


Tajiri: The mechanization of sexuality in Beckett 9s early work 4 D. Hayman: Continuing now: crisis enjambments in the Watt manuscripts 4 M. Feldman: «I inquired into myself»: Beckett, interpretation.


Phenomenology? 4 L. Oppenheim: Disturbing the feasible: object representation in «Three dialogues with Georges Duthuit» 4 D.


Weagel: Silence in John Cage and Samuel Beckett: 4 933 9 9 and Waiting for Godot 4 E. P. Levy: Disintegrative process in Endgame 4 N.


van der Toorn: Nagg et nell, tandem immobile: analyse de quelques effets sonores et visuels dans Fin de partie 4 P. Kintzele: Pim 9s progress: the trouble with language in How it is 4 M. Maier: Geistertrio: Beethoven 9s music in Samuel Beckett 9s Ghost trio (part 2).


AVANCES 628 3 16 Caporale Bizzini, S. / A. Aragón Varo: Historia crítica de la novela inglesa escrita por mujeres 2003 3 276 pp.


P 19,97 INDICE: A. Aragón Varo: Mujer y literatura en el siglo XVIII 4 M.J. Chivite de León: Mary Woollstonecraft: narrativas femeninas/feministas de la Ilustración 4 A.


Ballesteros González: Breve esplendor de mal distinta lumbre: las novelistas góticas 4 S. Caporale Bizzini: La otra cara del romanticismo: trabajo, educación y escritura 4 S. Martín Alegre: La mujer escritora en un contexto dual: las novelistas victorianas 4 M.


M. Pérez Gil: El fin de siglo y «The new woman» 4 E. Sánchez-Pardo González: Estilos e ideologías de lo nuevo: genealogía del modernismo británico femenino 4 M.


S. Suárez Lafuente: De la posguerra a los años setenta 4 L. Acosta Bustamante: Escritura de mujeres desde los 970 hasta la posmodernidad 4 M.


C. Rodríguez Fernández: La creación de mundos propios en la narrativa contemporánea de mujeres. Los márgenes y el período poscolonial.


17 Carroll, A.: Dark Smiles. Race and Desire in George Eliot 2002 3 208 pp., fig. P 50,87 18 Coronato, R.: Jonson versus Bakhtin: Carnival and the Grotesque 2003 3 viii + 267 pp.


P 56,16 19 Delany, S., ed.: Chaucer and the Jews. Sources, Contexts, Meanings 2002 3 xi + 258 pp., 6 fig. P 98,70 INDICE: C.


M. Rose: The jewish mother-in-law: synagoga and the Man of law 9s tale 4 W. C.


Jordan: The pardoner 9s «holy jew» 4 S. Delany: Chaucer 9s prioress, the jews, and the muslims 4 J. Mandel: «Jewes werk» in Sir Thopas 4 S.


Tomasch: Postcolonial Chaucer and the virtual jew 4 M. Dove: Chaucer and the translation of the jewish scriptures 4 T. S.


Jones: Reading biblical outlaws: the «Rise of David» story in the fourteenth century 4 N. L. Turner: Robert Holcot on the jews 4 D.


L. Despres: The protean jew in the Vernon manuscript 4 E. N.


van Court: The siege of Jerusalem and augustinian historians: writing about jews in fourteenth-century England 4 A. P. Bale: «House devil, town saint»: anti-semitism and hagiography in medieval Suffolk 4 C.


Richmond: Englishness and medi- eval anglo-jewry 4 G. Steinberg: Teaching Chaucer to the «cursed folk of herod» 4 J. S.


Neaman: Positively medieval: teaching as a missionary activity. 20 D 9Haen, T. / P.


Liebregts / W. Tigges, eds.: Configuring Romanticism. Essays Offered to C.


C. Barfoot 2003 3 vii + 306 pp. P 62,40 INDICE: J.


Leerssen: On the celtic roots of a romantic theme 4 B. Westerweel: Some reflections on William Blake and the emblem 4 T. A.


Westendorp: Phantoms of delight: lines composed by William Wordsworth 4 C. Lamont: Scott and eighteeth-century imperialism: India and the scottish Highlands 4 T. D 9Haen: «Nilotic mud»: British romantic writers and the colonies 4 J.


P. V. Motten: Robert Southey, Charles Watkin Williams Wynn and «The Miser 9s mansion» 4 L.


Halliday: «Our love on one side, our dictionary on the other»: Leigh Hunt 9s A jar of honey from mount Hybla (1847) 4 V. Tinkler-Villani: Victorian Shelley: perspectives on a romantic poet 4 A. C.


Christensen: «Ruth ... sick LITERATURA INGLESA, 42 4 for home»: the keatsian imagination in the novel of Elizabeth Gaskell 4 C. W.


Schoneveld: Arnoldus Pannevis: «Shakspere: A critical contribution (1863) 4 W. Verhoeven: Ecology as requiem: nature, Notionhood and history in Francis Parkman 9s «History of the american forest» 4 W. Tigges: a glorious thing: the byronic hero as pirate chief 4 J.


Mallinson: A modern mode of epiphany 4 P. van de Kamp: Hands off! Joyce and the mangan in the Mac 4 T.


Hoenselaars: «Out-ranting the enemy leader»: Henry V and / as world war II propaganda 4 E. M. Knottenbelt: Romantic residues?


Virgil 9s Aeneid «in such a tongue as the people understandeth» or in a «language really spoken by men» 4 J. den Toonder: Romantic rebels in three novels of the quiet revolution in Québec 4 P. Liebregts: Images of an imaginist: two film versions of Jane Austen 9s Emma.


21 Eaves, M., ed.: The Cambridge Companion to William Blake 2003 3 xix + 302 pp., 36 fig. P 24,25 INDICE: M. Eaves: Introduction: To paradise the hard way 4 A.


Ward: William Blake and his circle 4 J. Viscomi: Illuminated printing 4 S. J.


Wolfson: Blake 9s language in poetic form 4 D. Bindman: Blake as a painter 4 S. Makdisi: The political aesthetic of Blake 9s images 4 J.


Mee: Blake 9s politics in history 4 R. Ryan: Blake and religion 4 D. Simpson: Blake and romanticism 4 N.


Hilton: Blake 9s early works 4 A. Lincoln: From America to The four zoas 4 M. L.


Johnson: Milton and its contexts 4 R. N. Essick: Jerusalem and Blake 9s final works 4 A.


Gourlay: A glossary of terms, names, and concepts in Blake 4 A. Gourlay: Guide to further reading. 22 Hansen, E.


T.: The Solomon Complex. Reading Wisdom in Old English Poetry 1988 3 X + 228 pp. P 49,00 23 Jacobson, W.


S., ed.: Dickens and the Children of Empire 2000 3 208 pp. P 83,50 INDICE: W. S.


Jacobson: Spirit and the allegorical child: Little Nell 9s mortal aesthetic 4 J. Bowen: Dickens and the construction of the child 4 J. Kincaid: Suppressing narratives: childhood and empire in The uncommercial traveller and Great expectations 4 G.


Smith: The imperial child: Bella, Our mutual friend, and the victorian picturesque 4 M. Baumgarten: Dickens and gold rush fever: colonial contagion in Household words 4 L. Nayder: Floating signifiers of britishness in the novels of the anti-slave-trade squadron 4 G.


Gallagher: Dickens and the native american 4 K. Flint: Nationalism and violence: America in Charles Dickens 9s Martin Chuzzlewit 4 R. E.


Lougy: Girls underground, boys overseas: some graveyard vignettes 4 C. Robson: What the waves were always saying: Dombey and son and textual ripples on an african shore 4 M. V.


W. Smith: Savages and settlers in Dickens: reading multiple centres 4 A. Chennells: Dickens in Africa: africanizing Hard times 4 G.


Matsika: Primitive and wingless: the colonial subject as child. 24 Johnson, J.: The Theology of John Donne 2001 3 176 pp. P 25,80 25 Jones, V., ed.


: Women and Literature in Britain, 1700-1800 2000 3 322 pp., lám., not., tabl. P 24,22 INDICE: 1. Constructing Women in the Eighteenth Century: K.


Sutherland: Eighteenth-century femininities: writings on education and conduct: arguments for female improvement 4H. Guest: AVANCES 628 5 Eighteenth-century femininity: «a supposed sexual character» 4 F. A.


Nussbaum: Women and race: «a difference of complexion» 4 G. Skinner: Women, family, and the law: women 9s status as legal and civic subjects: «a worse condition than slavery itself?» 4 R. Perry: Women in families: the great disturbance 4 P.


McDowell: Women and print: women and the business of print 4 J. Fergus: Women readers: a case study 4 2. Writing Women in the Eighteenth Century: I.


Grundy: (Re) discovering women 9s texts 4 R. Ballaster: Women and the rise of the novel: sexual prescripts 4 M. A.


Doody: Women poets of the eighteenth century 4 A. J. Smallwood: Women and the theatre 4 D.


Dugaw: Women and popular culture: gender, cultural dynamics, and popular prints 4 C. Brant: Varieties of women 9s writing. 26 Justice, G.


L. / N. Tinker, eds.: Women 9s Writing and the Circulation of Ideas.


Manuscript Publication in England, 1550-1800 2002 3 254 pp., 2 lám. P 60,73 27 Kelly, K. E., ed.: The Cambridge Companion to Tom Stoppard 2001 3 274 pp., 10 lám.


P 24,22 INDICE: 1. Background and Chronology: P. Delaney: Chronology 4 P.


Delaney: Exit Tomás Sträussler, enter sir Tom Stoppard 4 J. Lee: «In the native state» and «Indian ink» 4 2. The Works: P.


J. Rabinowitz: Narrative difficulties in «Lord Malquist and Mr Moon 9 4 E. Guralnick: Stoppard 9s radio and television plays 4 I.


Nadel: Stoppard and film 4 N. Sammells: The early stage plays 4 T. Zimman: «Travesties», «Night and day», «The real thing» 4 J.


Bull: Tom Stoppard and politics 4 J. L. Levenson: Stoppard 9s Shaskespeare: textual revisions 4 P.


Edwards: Science in «Hapgood» and «Arcadia» 4 H. Zeifman: The comedy of Eros: stoppard in loce 4 3. Culture and Context: E.


Brater: Tom Stoppard 9s brit/lit/crit 4 M. V. Heuvel: «Is postmodernism?»: Stoppard among/against the postmodern 4 M.


Miller: The Tom Stoppard collection at the Harry J. Ransom humanities research center 4 M. Miller: Bibliography.


28 Kendall, T.: Sylvia Plath: A Critical Study 2001 3 246 pp. P 15,17 29 Kermode, F.: Pleasing Myself. From Beowulf to Philip Roth 2002 3 288 pp.


P 15,17 30 Kermode, F.: Shakespeare 9s Language 2001 3 336 pp. P 13,66 31 Kern, R.: Orientalism, Modernism, and the American Poem 1996 3 336 pp. P 75,92 32 Kertzer, J.: Worrying the Nation.


Imagining a National Literature in English- Canada 1999 3 243 pp. P 45,55 LITERATURA INGLESA, 42 6 33 Keymer, T.: Sterne, the Moderns and the Novel 2002 3 240 pp., 4 fig. P 68,33 34 Kilcup, K.


L. / T. S.


Edwards, eds.: Jewett and Her Contemporaries. ReShaping the Canon 1999 3 304 pp. P 63,01 INDICE: K.


L. Kilcup / T. Edwards: «Confronting time and change»: Jewett, region, and nation 4 1.


Contexts: Readers and Reading: M. Pryse: Sex, class, and category crisis: Jewett and the postmod- ern reader 4 D. Campbell: «In search of local color»: context, controversy, and The country of the pointed firs 4 M.


Homestead: «Links of similitude»: the narrator of The country of the pointed firs and author-reader relations at the end of the 19th century 4 P. Petrie: «To make them acquainted with one another»: Jewett, Howells, and the dual aesthetic of Deephaven 4 2. Contemporaries: Jewett and the Writing World: J.


Wittenberg: Challenge and compliance: textual strategies in A country doctor and 19th-century american women 9s medical autobiographies 4 M. Littenberg: Transcendentalism to ecofeminism: Celia Thaxter and Sarah Orne Jewett 9s Island views revisited 4 A. Romines: The professor and the pointed firs: Cather, Jewett, and the problem of editing 4 P.


Leder: Visions of New England: the anxiety of Jewett 9s influence on Ethan Frome 4 3. Conflicts: Identity and Ideology: M. Schrag: Whiteness as loss in Sarah Orne Jewett 9s «The foreigner» 4 A.


Easton: «How clearly the gradations of society were defined»: negotiating class in Sarah Orne Jewett 4 S. W. Sherman: Purity and danger: gender and class in Jewett 9s «The best China saucer» 4 4.


Connections: Jewett 9s Time and Place: G. Frater: «A brave happiness»: rites and celebrations in Jewett 9s ordered past 4 P. C.


Swartz: We do not all go two by two; Or, abandoning the ark 4 C. Schachinger: Jewett 9s Maine: a journey black. 35 King, J.


N.: Milton and Religious Controversy. Satire and Polemic in Paradise Lost 2000 3 240 pp., 25 lám. P 62,05 36 Lacourarie, C.: Virginia Woolf: L 9écriture en tableau 2002 3 282 pp.


P 22,90 37 Lacroix, J.-M., ed.: Re-Constructing the Fragments of Michael Ondaatje 9s Works 1999 3 248 pp. P 18,29 INDICE: G. Bowering: Once upon a time in the south: Ondaatje and genre 4 P.


Cumming: «Here 9s to holy fathers»: from the law of the father to the love of a father in Michael Ondaatje 9s writing 4 K. I. Press: Lying in the family: the true historical life of Michael Ondaatje 4 P.


Easingwood: Sensuality in the writing of Michael Ondaatje 4 M. Greene: Gravy bones: ego and audience in Coming through slaughter 4 J. Dolphin: The use and abuse of myth in Michael Ondaatje 9s in The skin of a lion 4 J.


Murray: Gendering and disordering: the (dis)solution of the Rdipus complex in Ondaatje 9s in The skin of a lion 4 C. Comellini: Michael Ondaatje 9s The english patient: why a patient and a nurse? 4 R.


Sool: K for Katharine: the notion of nationality in Ondaatje 9s The english patient 4 M. Goldman: War and the game of representation in Michael Ondaatje 9s The english patient 4 D. Whetter: AVANCES 628 7 «Dismantling» Ondaatje 9s «Terrible letters»: metaphor, metonymy and exploding narrative in The english patient 4 J.


Leclaire: Challenge in The english patient 4 J. Pesch: Dropping the bomb? On critical and cinematic reactions to Michael Ondaatje 9s The english patient.


38 Lamonica, D.: We Are Three Sisters. Self and Family in the Writing of the Brontës 2003 3 280 pp., fig. P 44,79 39 Lams, V.


J.: Clarissa 9s Narrators 2001 3 X + 172 pp. P 54,25 40 Lams, V. J.: Anger, Guilt, and the Psychology of the Self in Clarissa 1999 3 xvii + 210 pp., 5 fig.


P 55,85 41 Lazaro, A. / A. R.


de Toro: James Joyce in Spain: A Critical Bibliography (1972-2002) 2003 3 172 pp. P 10,00 42 Leandoer, K.: From Colonial Expression to Export Commodity. English- Canadian Literature in Canada and Sweden 1945-1999 2002 3 273 pp.


P 51,05 43 Leask, N.: Curiosity and the Aesthetics of Travel-Writing, 1770-1840. 8From an Antique Land 9 2002 3 X + 338 pp., 19 fig. P 68,35 INDICE: Introduction: Practices and narratives of romantic travel 4 Cycles of accumulation, aesthet- ics of curiosity, and temporal exchange 4 Curious narrative and the problem of credit: James Bruce 9s Travels to discover the source of the Nile 4 «Young Memnon» and romantic egyptomania 4 Indian travel writing and the imperial picturesque 4 Domesticating distance: three women travel writers in british India 4 Alexander von Humboldt and the romantic imagination of America: the impossibility of personal narrative 4 Conclusion: William Bullock 9s Mexico and the reassertion of «popular curiosity».


44 Lester, G., ed.: Chaucer in Perspective. Middle English Essays in Honour of Norman Blake 1999 3 408 pp. P 91,10 45 Levine, G., ed.: The Cambridge Companion to George Eliot 2001 3 261 pp.


P 24,22 INDICE: G. Levine: Introduction: George Eliot and the art of realism 4 R. Bodenheimer: A woman of many names 4 J.


MaDonagh: The early novels 4 A. Welsh: The later novels 4 S. Anger: George LITERATURA INGLESA, 42 8 Eliot and philosophy 4 D.


Postlethwaite: George Eliot and science 4 B. Qualls: George Eliot and religion 4 N. Henry: George Eliot and politics 4 K.


Flint: George Eliot and gender 4 D. Gray: George Eliot and her publishers 4 K. Blake: George Eliot: reputation and influence 4 T.


Agathocleous: Works cited and further reading. 46 Levine, J.: Delicate Pursuit. Discretion in Henry James and Edith Wharton 2002 3 256 pp.


P 75,92 47 Levy, M.: Boswell: un libertin mélancolique. Sa vie, ses voyages, ses amours et ses opinions 2001 3 416 pp. P 26,96 48 Linke, G.: Populärliteratur als kulturelles Gedächtnis.


Eine vergleichende Studie zu zeitgenössischen britischen und amerikanischen Popular Romances der Verlagsgruppe Harlequin Mills & Boon 2003 3 382 pp. P 48,00 49 Loeb, M.: Literary Marriages. A Study of intertextuality in a Series of Short Stories by Joyce Carol Oates 2002 3 198 pp.


P 43,10 50 López, J.: Theatrical Convention and Audience Response in Early Modern Drama 2003 3 244 pp. P 68,33 51 Luis Martinez, Z.: In Words and Deeds. The Spectacle of Incest in English Renaissance Tragedy 2002 3 viii + 296 pp.


P 57,20 52 Mallinson, J.: T. S. Eliot 9s Interpretation of F.


H. Bradley. Seven Essays 2003 3 106 pp.


P 44,72 53 Mann, J.: Feminizing Chaucer 2002 3 224 pp. P 22,80 54 Martínez Sahuquillo, I.: La revuelta contra la civilización. D.


H. Lawrence y el romanticismo antimoderno 2001 3 Xxx + 428 pp. P 12,02 INDICE: 1.


El autor, su obra y su mundo: Vida y obra de D. H. Lawrence: un quijote contra los molinos de la sociedad industrial 4 La literatura romántica de D.


H. Lawrence como alternativa al AVANCES 628 9 realismo burgués 4 El mundo según Lawrence: un recorrido por su universo literario 4 2. La cosmovisión laurenciana: El estilo cognitivo característico de D.


H. Lawrence: un análisis sistemático 4 La crítica laurenciana a la civilización moderna 4 3. D.


H. Lawrence y el romanti- cismo antimoderno: Afinidades electivas: D. H.


Lawrence y el romanticismo antimoderno. Ante- cedentes 4 Afinidades electivas: D. H.


Lawrence y el romanticismo antimoderno. Contemporáneos 4 El romanticismo antimoderno: claves para una interpretación sociológica. 55 Mattisson, J.: Knowledge and Survival in the Novels of Thomas Hardy 2002 3 423 pp.


P 54,00 56 McGee, P.: Joyce Beyond Marx. History and Desire in Ulysses and Finnegans Wake 2001 3 320 pp. P 69,09 57 Mergenthal, S.: A Fast-Forward Version of England.


Constructions of Englishness in Contemporary Fiction 2003 3 ii + 205 pp. P 34,32 58 Milesi, L., ed.: James Joyce and the Difference of Language 2003 3 254 pp. P 60,75 59 Millgate, J.: Walter Scott, the Making of the Novelist 1984 3 xiv + 224 pp.


P 48,00 60 Minton, J. / D. Evans: «The Coon in the Box».


A Global Folktale in African- American Context 2001 3 112 pp. P 18,00 61 Mishra, B. R.: The Ironical Comedy of R.


K. Narayan 2002 3 xiv + 192 pp. P 20,00 62 Misra, A.


D.: T. S. Eliot, Poetry and Theory.


Time and Creativity 2002 3 268 pp. P 21,00 63 Moore, G. M.


/ O. Knowles / J. H.


Stape, eds.: Conrad between the Lines: Documents in a Life 2000 3 vi + 251 pp. P 47,84 LITERATURA INGLESA, 42 10 64 O 9Neill, M. / C.


Zamorano Llena, eds.: The Aesthetics of Ageing. Critical Approaches to Literary Representations of the Ageing Process 2002 3 179 pp. P 12,00 INDICE: N.


Bureu: A poem is like a prayer 4 N. Casado: Speaking up from the stage: three ageing west indian women in the spotlight 4 M. Colavincenzo: «Hands of chance and change:» intimations of ageing in canadian nature poetry 4 G.


Collier: The causal measure of all things: age and ageing in Alice Munro 4 E. Domínguez: The decay of the southern belle: Ellen Glasgow 9s The sheltered life 4 P. Gallardo: Ageing mechanisms: the body/machine metaphor in David Lynch 9s The straight story and Alfred Uhry 9s Driving miss Daisy 4 J.


Kinsella: Domine, refugium 4 M. Lee: Retirement and fiction 4 M. O 9Neill: The ageing of the anglo-irish gentry as portrayed in the «Big house» novel 4 I.


Santaulària: The fallacy of eternal love: romance, vampires and love in Linda Lael Miller 9s Forever and the night and For all eternity 4 M. Vidal: Old women empowered in Flora Nwapa 9s Efuru and Idu 4 B. Worsfold: Ageing masculinity and creativity in André Brink 9s The rights of desire 4 C.


Zamorano: Making for Ithaca in late life: representations of successful ageing in Anita Brookner 9s A start in life and Brief lives. 65 Ortells Monton, E. / J.


R. Prado Pérez, eds.: Tendencias actuales en los estudios filológicos anglo-norteamericanos 2003 3 138 pp. P 13,00 INDICE: R.


Alejo González: El lenguaje de la economía: el lenguaje de la persuasión 4 G. Laferrière: Teatro y educación o el arte de la seducción 4 G. Myers: Comparing ads across cultures 4 J.


J. Coy: Jerome David Salinger o de cómo conquistar la libertad de la escritura y de la lectura 4 P. S.


Derrick: We stand before the secret of the world: transcendentalism and the american sense of the divine 4 C. Manuel Cuenca: Breaking free from the Word through words: reading and writing in A narrative of the capitivity and restoration of Mrs Mary Rowlandson 4 I. Soto García: Langston Hughes: the poetics of reciprocity 4 P.


Zozaya Ariztia: The men in black: a reading of Shakespeare 9s (c.1600) and Branagh 9s (1996) Hamlet. 66 Pfister, M., ed.: A History of English Laughter. Laughter from Beowulf to Beckett and Beyond 2002 3 X + 201 pp.


P 36,40 67 Quinn, P. J.: The Conning of America. The Great War and American Popular Literature 2001 3 261 pp.


P 47,84 68 Raby, P., ed.: The Cambridge Companion to Harold Pinter 2001 3 320 pp., 10 lám. P 24,22 INDICE: 1. Text and Context: A.


Quigley: Pinter, politics and postmodernism (1) 4 J. Stokes: Pinter and the 1950s 4 F. Coppa: The sacred joke: comedy and politics in Pinter 9s early plays 4 P.


Raby: Tales of the city: some places and voices in Pinter 9s plays 4 R. Knowles: Pinter and twentieth- century drama 4 S. H.


Gale: Harold Pinter, screenwriter: an overview 4 2. Pinter and Performance: R. A.


Cave: Body language in Pinter 9s plays 4 M. Pennington: Pinter as director 4 P. Hall: Directing AVANCES 628 11 the plays of Harold Pinter 4 C.


Evans: Pinter in Russia 4 A. Roche: Pinter and Ireland 4 3. Reactions to Pinter: D.


Milne: Pinter 9s sexual politics 4 Y. Zarhy-Levo: Pinter and the critics 4 H. Derbyshire: Pinter as celebrity 4 M.


Aragay: Pinter, politics and postmodernism (2) 4 J. Fowles: Afterword: Harold Pinter and cricket. 69 Raine, K.: Blake and Tradition, 2 vols.


2002 3 848 pp. P 242,95 70 Reitz, B. / M.


Berninger, eds.: British Drama of the Nineties 2002 3 204 pp. P 22,00 INDICE: K.-P. Müller: Political plays in England in the nineties 4 M.


Berninger: Variations of a genre. The british history play in the nineties 4 M. Luckhurst: An embarrassment of riches.


Women dramatists in the nineties Britain 4 H. Stahl: «There ain 9t no black in the Union Jack» vs «England is the place for me». Black women playwrights in Britain in the nineties 4 C.


Innes: Science on the stage 4 A. Sierz: In-yer-face theatre. Mark Ravenhill and nineties drama 4 G.


Saunders: The apocalyptic theatre of Sarah Kane 4 M. Raab: «Post-feminist masculinity and all that shit 9. Patrick Marber 9s closer in London and Munich 4 R.


Borgmeier: «Convergences of different threads». Tom Stoppard 9s The invention of love (1997) 4 B. Reitz: «I just wouldn 9t want to be at the other end of his anger».


Harold Pinter 9s political plays of the nineties 4 H. Zimmermann: Howard Barker in the nineties. 71 Roe, S.


/ S. Sellers, eds.: The Cambridge Companion to Virginia Woolf 2000 3 320 pp. P 24,22 INDICE: S.


Raitt: Finding a voice: Virginia Woolf 9s early novels 4 S. Dick: Literary realism in Mrs Dalloway, To the lighthouse, Orlando and The waves 4 J. Briggs: The novels of the 1930s and the impact of history 4 H.


Lee: Virginia Woolf 9s essays 4 S. Sellers: Virginia Woolf 9s diaries and letters 4 M. DiBattista: Virginia Woolf and the language of authorship 4 M.


Whitworth: Virginia Woolf and modernism 4 S. Roe: The impact of post impressionism 4 D. Bradshaw: The socio-political vision of the novels 4 L.


Marcus: Woolf 9s feminism and feminism 9s Woolf 4 N. W. Jouve: Virginia Woolf and psychoanalysis.


72 Sangari, K.: The Politics of the Impossible. Essays on Gender, History, Narratives, Colonial English 2002 3 503 pp. P 30,00 73 Santilli, K.


S.: Poetic Gesture. Myth, Wallace Stevens and the Desirous Motions of Poetic Language 2002 3 208 pp. P 68,35 74 Sawkins, J.: The Long Apprenticeship.


Alienation in the Early Work of Alan Sillitoe 2001 3 297 pp. P 58,20 LITERATURA INGLESA, 42 12 75 Schuster, S.: Narrative Politik. Untersuchungen zur politischen Lektüre von Daniel Defoes Robinson Crusoe Trilogie 2000 3 270 pp.


P 30,16 76 Siebald, M.: Der verlorene Sohn in der amerikanischen Literatur 2003 3 X + 414 pp., 6 fig. P 58,00 77 Skerl, J., ed.: Reconstructing the Beat Generation 2002 3 288 pp. P 21,25 INDICE: Beat literature and the folds of heterogeneity 4 The transnational counterculture: beat- mexican intersections 4 Pull my daisy and abstract art 4 The «beat boys club»: the social construction of the beat generation as male dissidents 4 The politics of the beatnik counterculture 4 Ruth Weiss and Leonore Kandel: The literary geography of beat experimental poetics 4 «A place where your nature meets mine»: Diane di Prima in the west 4 Joanne Kyger and the tradition of zen beatitude 4 (Un)defining beat: Anne Waldmen in India and under electronic surveillance 4 What 9s my line?


Performing Ted Joans 4 Saxophones and smothered rage: Bob Kaufman, jazz, and the quest for redemption 4 Jack Kerouac, Charlie Parker, and the poetics of improvisation 4 «A malicious-looking smile»: Kerouac 9s visions of Burroughs 4 Spoken from the breath: embodies poetics of Ginsberg 9s later career 4 Hierogliphic book movie: the subterranean «american visual form» of Burroughs, Kerouac, and contemporary international visual poetry. 78 Strandberg, A.: The Orphic Voice. T.


S. Eliot and the Mallarmean Quest for Meaning 2002 3 188 pp. P 42,00 79 Summers, C.


J., ed.: Fault Lines and Controversies in the Study of Seven- teenth-Century English Literature 2002 3 248 pp. P 44,80 80 Suzuki, M.: Subordinate Subjects. Gender, the Political Nation and Literary Form in England, 1588-1688 2002 3 308 pp.


P 68,35 81 Tadie, A.: Sterne 9s Whimsical Theatres of Language. Orality, Gesture, Literacy 2002 3 196 pp. P 60,75 82 Taussig, G.: Coleridge and the Idea of Friendship, 1789-1804 2003 3 376 pp.


P 75,92 AVANCES 628 13 83 Taylor, A.: Henry James and the Father Question 2002 3 250 pp. P 60,75 84 Taylor, B.: Mary Wollstonecraft and the Feminist Imagination 2003 3 292 pp., 4 fot. P 25,75 85 Theall, D.


F.: James Joyce 9s Techno-Poetics 1997 3 xxii + 246 pp. P 56,75 86 Thiel, T.: There Is More Than One Site of Resistance. Ironie und Parodie im zeitgenössischen Roman der Chicanos/as 2003 3 viii + 392 pp.


P 50,00 87 Vendler, H.: Coming of Age as a Poet. Milton, Keats, Eliot, Plath 2003 3 192 pp., 4 fot. P 23,55 88 Vinet, D.: L 9ombre du père dans la littérature anglo-saxonne contemporaine 2002 3 122 pp.


P 18,00 89 Vitoux, P.: Aldous Huxley. Romancier et critique de la modernité 2002 3 386 pp. P 18,00 90 Weidle, R.: Shakespeares dramaturgische Perspektive.


Die theatrale Gram- matik Erving Goffmans als Modell der strategischen Interaktion in den Komödien und Historien 2002 3 325 pp. P 42,00 91 Wood, L.: Modes of Discipline. Women, Conservatism, and the Novel after the French Revolution 2003 3 192 pp.


P 48,59 92 Worthen, W. B.: Shakespeare and the Force of Modern Performance 2003 3 279 pp. P 24,22 93 Yates, J.: Error, Misuse, Failure.


Object Lessons from the English Renais- sance 2003 3 xx + 250 pp., 26 fig. P 25,10 INDICE: 1. Foundations: Rewriting the Renaissance myth 4 «The thinge itselfe»: the portrait miniature, the relic, and the face 4 2.


Of Plumbing and Print: Under the sign of (A)Jax: or, the smell of history 4 Thomas Nashe and the mutable mobility of print 4 3. Networks of the Hidden: Wrinkles in time and space: technology versus history in the priest-hole 4 Martyrs and ghosts in 1606.

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